Tagged: Albert Pike

Michael Richards: Freemason, Shriner, Racist

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by Terry Melanson ©, Nov. 22nd, 2006

As everyone has learned by now, Michael Richards (aka “Cosmo Kramer”) went into an insane racial tirade on November 17th at the Laugh Factory in West Hollywood, California after being heckled. In a failed attempt at gaining control of his act Richards shouted, “Shut up! Fifty years ago we’d have you upside-down with a fucking fork up your ass!” After this blatant reference to the “good ‘ole days” of lynching, he escalated the situation by screaming, “Throw his ass out. He’s a nigger! He’s a nigger! He’s a nigger! A nigger! Look, there’s a nigger!” The video has to be seen to be believed. Multiple copies have been posted on YouTube, resulting in thousands of comments from viewers.

Monday night, Jerry Seinfeld appeared on Late Night with David Letterman to support his friend. Richards apologized for his behaviour via satellite.

…You know, I’m really busted up over this and I’m very, very sorry to those people in the audience, the blacks, the Hispanics, whites – everyone that was there that took the brunt of that anger and hate and rage and how it came through, and I’m concerned about more hate and more rage and more anger coming through, not just towards me but towards a black/white conflict. There’s a great deal of disturbance in this country and how blacks feel about what happened in Katrina, and, you know, many of the comics, many of performers are in Las Vegas and New Orleans trying to raise money for what happened there, and for this to happen, for me to be in a comedy club and flip out and say this crap, you know, I’m deeply, deeply sorry.

Yes, of course he’s “very, very sorry.” I don’t buy it though, the video speaks for itself. It is a display of hate and rage – vicious, elitist, childish – and thoroughly rancid in nature. One can picture him at a KKK rally, in exactly the same frenzied state, instigating a lynching.

Bro. Michael A. Richards, 33°

Richards’ conduct might ultimately stem from his association with Freemasonry. There’s a controversy going on right now in the South, whether to officially recognize Prince Hall Masonry. In his convoluted apology on Letterman, Richards inserted a reference to the racial tension (“black/white conflict”) in the wake of Katrina. Perhaps it’s a Freudian slip, alluding to the Dixie Lodges’ struggle to come to terms with its own racial divide. As a very active and high-ranking Mason, Richards is most likely privy to the ongoing discussions taking place behind the scenes.

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The Ascendancy of the Scientific Dictatorship Part Two: Science Fiction and the Sirius Connection

by Phillip D. Collins ©, Feb. 24th, 2005

In part two of this article, we trace the thread of the concept of ‘survival of the fittest’ from Condorcet to Malthus, to Spencer, to Wallace and to Darwin; elucidate the ‘predictive programming’ contained in science fiction novels; and illuminate the extraterrestrial connection, specifically the Freemasonic import of Sirius, the Dog Star.

Science Fiction: A Means of Predictive Programming

Aldous Huxley first presented the ‘scientific dictatorship’ to the public imagination in his book Brave New World. In Dope, Inc., associates of political dissident Lyndon LaRouche claim that Huxley’s book was actually a ‘mass appeal’ organizing document written ‘on behalf of one-world order’ (Dope, Inc., 538). The book also claims the United States is the only place where Huxley’s ‘science fiction classic’ is taught as an allegorical condemnation of fascism. If this is true, then the ‘scientific dictatorship’ presented within the pages of his 1932 novel Brave New World is a thinly disguised roman a’ clef – a novel that thinly veils real people or events – awaiting tangible enactment.

Such is often the case with ‘science fiction’ literature. According to researcher Michael Hoffman, this literary genre is instrumental in the indoctrination of the masses into the doctrines of the elite:

“Traditionally, ‘science fiction’ has appeared to most people as an adolescent genre, the province of time-wasting fantasies. This has been the great strength of this genre as a vehicle for the inculcation of the ideology favored by the Cryptocracy. As J.H. Towsen points out in Clowns, only when people think they are not buying something can the real sales pitch begin. While it is true that with the success of NASA’s Gemini space program and the Apollo moon flights more serious attention and respectability was accorded ‘science fiction,’ nonetheless in its formative seeding time, from the late 19th century through the 1950s, the predictive program known as ‘science fiction’ had the advantage of being derided as the solitary vice of misfit juveniles and marginal adults.” (Hoffman, 205)

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