MAUREEN DOWD - September 30, 2009

It’s not so much the barbarous machinations of the villain, another one-dimensional, self-mortifying hulk, that sends chills down your spine. Or the plot, which is an Oedipal MacGuffin.

No, the terrifying thing about “The Lost Symbol” is that Brown — who did not flinch when the Vatican both condemned the “The Da Vinci Code” and curtailed the filming of “Angels & Demons” in Rome — clearly got spooked by that other powerful, secretive ancient sect, the Masons.

His book is a desperate attempt to ingratiate himself with the Masons, rather than to interpret the bizarre Masonic rites and symbols that illuminate — as in Illuminati! — how the ultimate elite private boys’ club has conspired to shape the nation’s capital and Western civilization ever since George Washington laid the cornerstone for the Capitol building in a Masonic ritual wearing full Masonic regalia, including a darling little fringed satin apron. If the Masons are more intimidating than the Vatican, if Brown has now become part of their semiotic smoke screen, then all I can say is, God help us all.

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Tags: Dan Brown

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